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Cross-hatching

June 3, 2009

Early spring went to the novel and late spring to the 50-page summer calendar. My weekly magazine has resumed, and I spent this morning in a sunlit maze of Japanese silk screens. This afternoon, a naturalist looked up peepers’ spring calls online for me with a gray tree frog sitting on his thumb. Tree frogs sit with their feet tucked in, to fit on leaves without overhanging.

This evening, my friend The Velveteen Rabbi posted a response to this week’s readwritepoem prompt so beautful that I had to write one of my own.

Here’s mine.

Preservation

We sat on their porch, and you held my hands.
We sat on the floor on Easter weekend.
And I was shaking, not from the cold
we get in the hills, even in July,
because I could have lost what I was building.
Twenty-one friends eating chocolate downstairs
at the farm where we rode together as teenagers,
and we were talking novels eye to eye.
Inside they washed dishes and piled old corn cobs.
I had had this work barely six months.
If she takes it, I said, she will not know
or care what she has taken from me.
Mills and fires and jubilations
I want to give you — after all this time
as close colleagues as we ever were
in stables, mucking stalls and singing Graceland,
as close as I felt the day you married
in a New England tavern with mango rice,
thirty years of friendship in one warm rain,
and we fed apples to the horses next door
from the porch table under crimson stars —
You have saved your fields twice and lost far more
than I have ever built, and still you hold me.

Finding gracefully

February 12, 2009

In looking for literary agents, I keep finding an instruction: do your homework. Know how publishing works. Know what agents do and know what a specific agent has represented. I agree; it’s sound sense.

If this works, I’m hoping to find someone to work with for a good long time; I want to feel confident in them. This is work it will help me to do. I would want to know at least whether an agent might like my kind of book and way of writing and values before I sent a query letter. In any case, asking an agent to do work that I should do is the best way I can think of to get turned down, and they would be right to turn me down.

The questions is: how to find out? Some agents I’ve researched give examples of books they have represented, in which case the answer is in part to read the books. But many do not. One agency (one I have a recommendation for) lists nonfiction books but not fiction, though they represent novels.

I know why. I deal enough with people wanting my time, in my own job, to know how this works. Agents want to protect their writers and themselves, and they should. But I want to know more about them and their world than a few articles in Writer’s Digest can tell me. So it’s my job to go looking.

Some stories we trust?

April 18, 2008

The conversos‘ dismissal of Isabella

We were never silent.
We shouted, and we cursed you.
We sang in Arabic in the coffee houses.

We would have deafened your old men
in their red tassels, if they had ever come
in to the streets.

When we left you, we followed the storks
to this place of sand and cinnamon
and the fat of the lamb
to remember over cold mint tea
the thousand stories you will never hear.

And in your desert
a thousand years beyond your death
our walls and waterfalls will speak still.

Between Places

November 15, 2007

My friend Rachel at Velveteen Rabbi has just introduced me to a weekly poetry site, Totally Optional Prompts. They post a prompt every Saturday, and poets respond on Thursdays. The prompt for this week is “Place”. Clearly, it matters to me… and now more than ever, while I don’t belong entirely to the place I live in. So here’s a thought.

In the mountains

I am at home on your limestone,
looking over one blue hill after another.
Falling leaves clear distance,
a blazon of red oak — I am here!
I am too tired to think
past the last of this season’s corn.

I am a guest seeking work,
and I love you,
your weathered wood,
your root stocks.

You call me back from an inlet
where I have written
so many strokes and long held
meetings of eyes.

From here I can see
I always choose clean heights.
Yet must you leave me
exposed and longing
exhilarated alone?